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Perry, 21, was given an extended prison sentence after a court heard he continues to pose a serious danger to young children.
Leeds Crown Court heard officers went to Perry’s home on November 28 last year after receiving information that he had been accessing illegal images.
As the relationship develops, Joe becomes decreasingly able to have physical sex with the man, while his need for meaningless coupling only intensifies. His dialogue is whipsmart and Leeds the director knows exactly how to implement the imaginative scenes created by Leeds the playwright. Gretchen Porro, Michael Friedman, Michael Leeds, Mike Westrich, Noah Levine, Stephan Pineda, The First Step.
Leeds, one of the most respected freelance directors in the region, has written other plays and musicals, but this one has more depth, polish and multiple levels than others we’ve seen. Subtle but well-planned pacing also keeps the 75-minute play moving fluidly, and the morphing of the overarching tone from farcical to poignancy is convincing.
Pointedly and tragically, none of his hookups harbor even a smidgen of emotional connection. You know that Tom Cruise movie where Renee Zellweger says, ‘You had me at ‘hello’?
Well, with the guys I’ve met it’s, “You lost me at ‘hello’.” To underscore Joe’s detachment of pleasure from emotion, we meet him seated in the opening scene cheerily raconteuring the audience at great length — while someone is administering oral sex the entire time.
And the great thing is, whether you prefer chatting extensively with your new crush first or a little fantasy in your play, there are diverse options to suit your every whim and desire.
The abuse continued for around five years, during which Marshall bought him gifts – including a mobile phone, computer equipment and drugs – and even set up a bank account in his name telling him to treat the money he paid in for him as ‘pocket money’.
The victim revealed Marshall had also sexually abused him on two occasions after buying him expensive gifts, including designer underwear and computer equipment.
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We also learn that his father sexually abused him for years when he was a child. And then you see the faintest light in the distance.
But the more profound cost is revealed when Joe stumbles into a significant union with a would-be partner. If you’re lucky, you grab onto a branch and pull yourself to shore. You’re on dry land but the river’s right behind you. But you have no idea how to get there.” This script had a staged reading at the New York Fringe Festival in 2007 and a full production at Empire Stage in 2011. This entry was posted in Performances, Reviews and tagged Island City Stage.