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If the ads navigated you to another page, then use the back button to navigate back to the exact page where the problem started and submit from there. Andrea Bocelli, as born in Lajatico, Italy, in 1958, is one of the greatest singing talents in the world today.The tenor, who lost his sight at age 12, catapulted to international superstardom some 20 years ago via the infectious “Con Te Partiro” (which he later re-released as “Time to Say Goodbye,” in duet with Sarah Brightman).

He himself sings the Italian and Spanish versions, and sings in Italian on the French and German versions of the song.

The 57-year-old Bocelli brings his “Cinema” tour to the Allstate Arena for a concert June 10, with special guest Renee Fleming. What follows is an edited transcript of that interview. The [songs that at the very least] were more congenial to the peculiarities of my voice. To my fantasy, music brought with itself stories, emotional frescoes, even different from what was – as I discovered later – the plot of the movie.

It is one more proof of the fact that when film music is top quality, it can fly high and shine on its own.

The scores conceived for films, in many cases, are a step ahead, they are potentially freer, more creative, — being not necessarily subject to the schemes neither of classic songs nor to a topic necessarily referring to love. Today, through the most advanced recording techniques, which give a sound quality entirely new and incredibly attractive, along with new and accurate arrangements, you can really restore freshness to those extraordinary [scores].

It is “utility music” because it gives a sound to images, but it can also represent an exciting challenge for composers, and turn, sometimes into masterpieces, into songs that live independently and … In my youth I was very fond of musicals with Frank Sinatra. I think it is something useful to gather the great [scores] that cinema has given birth to, and resubmit them today, so that they continue to be appreciated, and also to make new generations dream.

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